Sunday, November 20, 2016

Star Thief News!

I have a book debuting in a little under 5 months! A book I poured years of time, effort, and love into, and now I've reached the home stretch towards seeing it out in the world, in the hands of readers big and small.
That was enough of an honor, to have all my work acknowledged with publication, but there's more!

THE STAR THIEF was selected as an ABA Indies Introduce title for winter '17! It's one of 5 middle grade titles selected, and it is a fantastic group - I am amazed to be included!






THE STAR THIEF is also now available for pre-order just about everywhere. 




The cover for THE STAR THIEF is also getting a slight upgrade. I've seen the revised version, and it is even more gorgeous than the original cover. I'll be back soon with a cover re-reveal as soon as I have the final version!  




Friday, August 5, 2016

The Star Thief Cover Reveal!



It's finally here! The cover for my debut novel, The Star Thief! 




I love this so much! Illustrated by Antonio Caparo, who has done covers for some amazing authors, and now me! There will be a few interior spreads as well, in the finished book, and they are just as gorgeous as this one. (I've gotten a few peeks!)
The Star Thief will be out in April 2017 from Little Brown. It's going to be an incredible spring!

Sunday, July 31, 2016

A Tale of Publishing, Part II

This was supposed to be a short, straightforward entry about the query process, and then something very important, and interesting for bad reasons, came to my attention.

The query process can be frustrating. It is sort of universally acknowledged as awful, terrible, degrading, deflating, and discouraging. It can be all those things. But it doesn't have to be. 

I found the query process to be exciting and encouraging. It took me years to find my agent, but along the way I had enough requests and interest to let me know that I had solid ideas, and writing that could be polished into something publishable, if I just kept working. Of course, I got many more nos than yeses. Way, way more. But every request for a full or a partial, every "please send more" was enough of a boost to keep me going through all the polite declines. 

EVERYONE gets nos. 
In fact, I wore my first No as a badge of honor. I printed it out and tacked it over my desk. Every writer in the bookshop has been rejected. Even the published hear nos. The nos never end. 

It's just part of the business. 

How you respond to the nos is entirely up to you. 

Be a little peeved, consider it part of the process, and shake it off. 
Or, take a moment to be understandably disappointed, have a cookie, or a glass of wine, or a stiff shot of whiskey, fire up the laptop and find another agent to query. 

But what any querying writer definitely doesn't want to do is create a blog and then write extensive, snarky dissections of each agent that rejects the work. Last week, it came to the attention of the Twitterverse that someone was doing just this thing. I'm sure there are others.
Just - don't do this. 

Maybe the best advice for writers just setting out on their journey is to plan their response to rejection. Have a comforting ritual all lined up for when the inevitable happens.  Because there's no use getting angry and mean. It does no good. It can't help the process, or the writing, or the eventual career of the writer in question. 

Agents aren't in the business to be big 'ol meanies. They are not the dentist from Little Shop of Horrors. They're in the business because they love books, and writers, and are willing to help you with your career for free for possibly years before you might sell a book. They are on our side, fellow writers. We're all in this together. 

Thursday, July 14, 2016

A Tale of Publishing, Part I

This morning, an enormous padded envelope arrived on my doorstep, containing the first printed pages of The Star Thief. For those who don't know (as I didn't, until just a few months ago) at some point before your manuscript becomes a book, all the pages are formatted, printed out, and sent to the writer for a proofread. I don't print out working drafts of my manuscripts. I've only done it once, at the request of the agent. So to see the work as a physical thing, rather than just a file on a computer, is super exciting!

As I get closer to The Star Thief being a real live book, I've decided to go back and do a few posts about how I got here, from the beginning.

I'm one of those writers who's been crafting stories since I could hold a pencil. But when it came time for college, I picked theater and fine art instead of English as a major. Still, by the time graduation rolled around, I was starting to think I really wanted to try writing something for publication.

But... what???

I did very little writing in college, simply because I didn't know what I wanted to write about. So I did what you should do when you want to write, I started reading as much as I could. I graduated in spring 2002, and then got married at the end of the summer. On the way home from my honeymoon, I picked up a few books in the airport. One was the paperback of Prisoner of Azkaban. By the time I got through the first chapter, I already knew. I was going to write for kids. I started to recall all the wonderful fantasy stories I had loved as a kid, but had left behind when I became Serious about Art. But once I rediscovered children's books, and middle grade in particular, I suddenly had All The Ideas. I had characters and plots and settings and adventures, and I went home, got a job at a Barnes & Noble, and started trying to write a novel.

And yes, that was quite a few years ago. There was a bit of a learning curve!

How about you? Did you always know what you wanted to write? Did you find your niche? Or are you still looking?

Friday, July 8, 2016

Love Stories vs. Not Love Stories

So, I'm in the middle of my pre - publication year. My debut novel, The Star Thief, is still many months away from it's big premiere. There is plenty to do to prepare, but in writing life, it's time to get into new projects. 

One of these potential new projects involves a love story. I've been ruminating on what kinds of love stories I find interesting, and what I do not, paying attention to anything that stands out as wow or eeewww. These all apply equally to books as well, but for this post, I've given some examples from films. 

What's Wow?
Genuine connection. Two characters with enough in common that you can see the bond growing between them even before they realize it? And not just matched-on-paper, but with fully realized personalities that would (or already do) compliment each other? Yes. I'm on board. I will cheer for this couple.
See: Drinking Buddies, The Drop, Before Sunrise, Sideways, Defending Your Life

Longtime love. This one is hard to find, because Falling in Love stories are just so much more exciting than Staying in Love stories, but there's something wonderful about a deep connection that has survived a real duration of time. I love a pair with enough history together that they really know each other, and accept one another, even through conflict. 
See: Only Lovers Left Alive, Before Midnight

Mutual attraction. When a pair is really right for each other, and they both feel it, however long it takes for their feelings to be revealed, even if they don't end up together. 
See: Before Sunset, Tin Cup, 10 Things I Hate About You (even though it treads dangerously close to many of the Eewws, but we can blame that on Shakespeare. Once they spend time together, they do really like each other)

Authenticity. Do these seem like real people? Can the reader or viewer relate? Are they experiencing real human emotions, instead of pantomiming chemistry and connection that isn't there? If an on-page or on-screen couple has a moment I can relate too, or that reminds me of something I've experienced, I'm that much more invested in their story. 
See: Adventureland, Last Night, and Drinking Buddies (again)


What's Eeww? 

Insta-Love. Sigh, boo, shrug. Especially with underdeveloped characters. Instant Attraction or Instant Interest, sure. Absolutely. But to portray that as True Love before the characters even know each other is lazy and kind of gross, if you try to apply that idea to real life. 

Relationships as the Defining Character Trait. Does the hero/heroine ultimately exist only to be In Love or part of the central couple? Booooooring. Not fun. Even pretend people need to be a little complex, or why are we bothering to watch their story?

Stalking, Coercion, Ignoring the Concept of Consent - basically most things that go on in Romantic Comedies. When one person A is in love, and person B is not or doesn't know how A feels, but B's feelings and what they want is completely ignored for the sake of the plot. For instance, when the girl is with a gigantic jerk, but doesn't know it until Hero Guy explains this to her? Hate this. When girl and guy clearly don't like each other, but just don't realize they're destined to be in love? Hate This Too. When protagonist hears a firm "No." from Love Interest, but proceeds anyway, sometimes aggressively, sometimes at Love Interest's expense, this is once again gross. "Convincing" someone to be in love with a speech or a Grand Romantic Gesture? Equally gross. Breaking up someone's wedding? Go to Romance Jail until you learn to act like a person.
Surgically Sterile Breakups. This is one of the overlooked deadly sins of romantic entanglements in fiction, which is weird, considering how often the Love Triangle dynamic is invoked. When character A spends an entire narrative torn between B and C, but then the alternate graciously steps aside at the last minute, so that the True Lovers can be together? This may be the biggest fantasy of all. Breaking up is often hard. The only reason to make it painless is to avoid making the protagonist look bad. But this is also avoiding a way to make a character complex and real. 

Petty Misunderstandings. I have a hard, nigh on impossible time caring about a couple if they are so terrible at communicating that they are kept apart for long stretches by something that could have been resolved with one conversation. (Single exception being Jane Austen, as rules of social etiquette from the 18th century are about the only legitimate reason for these kinds of misunderstandings.)


Anything else? What makes a good love story for you? Any you'd love to recommend? 

Thursday, June 30, 2016

The Good, the Bad, and the Published

Good Afternoon, whomever happens upon my badly tended blog!
I've been busy finishing edits, trying to be a runner again, and finally learning how Twitter works.
@lcatebecker, if you're over there. I have to re-find all my scattered writer people again!

So, back in May, I turned in my final, official draft of The Star Thief. The first 6 months of this year were devoted to edits, more edits, and then, after editing, a few quick edits. It's now been through copyediting, and is off somewhere in NY getting formatted into an actual book. So, I thought it would be a good time to reflect on the whole process so far, and look at the Good and the Bad when it comes to this publishing thing.

First, the Bad.

Writing a book is hard.
It just is.
Shortcuts are not really a thing. You will probably find/develop/steal some kind of process that helps you work, that makes you feel more productive, but the actual work of sitting down, writing the book, and then taking the time to revise and polish is always going to be hard.

And that's just the beginning.

Every step of the process is hard.
Revising is hard.
Querying is hard.
Revising and resubmitting is hard.
Revising on editorial notes is hard.
Copyediting is hard.

All of it, every step, is a challenge. There are ever more people out there willing to "help" with the process, for a fee. There seem to be a growing number of people trying to hang their professional shingle on the idea that publishing is an impossible system, one that you can never, ever break into without some kind of magic pass, or costly service they happen to be providing. There have been vanity publishers and scammy agents for a very long time, but lately I've started to see a different kind of pitch altogether, in which some ambitious yet misguided souls are trying to create a third tier between the publisher - agent - writer system, by offering services to find agents, for a cost, of course. Be wary, writer friends. There are legit reasons to hire a professional pre - publication. For instance, getting a good, pro editor to look over your work and give you notes can be well worth the cost.

But you don't NEED it.

Because here's the Good.

It's all up to you.
You can do this on your own.
There are plentiful resources out there now, full of great, reliable information on writing and publishing, and you can do it all on your own. Writing the book, getting reader feedback, editing, querying, revising, submitting. You can do most of this without paying anyone, without an "in" with the industry, without paying for an expensive service, or getting an expensive degree, or attending conferences.

Now, some of those might still be super helpful. I have a degree, just not in English, or any kind of creative writing. I would love to start attending conferences, but time and finances have been an issue for, well... always, so far. But hitting some conferences, and - especially - a writing retreat or two, is on my dream list for the immediate future.

In the mean time, I managed to find an agent without getting the coasts for one of the SCBWI's big awesome parties, or going back to school to focus on writing. And my agent managed to sell my debut novel without me having any credentials, or a great platform, or any connections to the business.

This is all Hollywood speak, btw. If you're a filmmaker or a screenwriter, you absolutely DO have to have ins, have to make connections, and network, and paying someone to get your scripts in front of studios is an actual thing. But that's film and TV. If you're in the novel writing game, you still just need one thing. Good writing.

The rest, you can do with a little research.

Here are some starter links,

For Querying any kind of novel.

Janet Reid's blog is invaluable.
Also, her Query Shark blog.

For finding an agent

Literary Rambles is solid gold. Lots of agent interviews, and a comprehensive list of children's book agents all in one spot.

Querytracker is very popular, though I never used it myself. Many fellow writers have found their agents through this route.

Also helpful, a plain old search for Literary Agency and the sub genre of your choice. There's plenty of ways to cross reference legit agencies with questionable ones.

For general writing talk and industry info

SCBWI boards, (Society of Children's Book Writers and Illustrators) You can join, for a membership fee, but there is still also an open message board to commiserate with other writers even before you join.

Absolute Write Water Cooler is huge, but full of lots of general industry knowledge, and a fine place to ask questions.

Harold Underdowns' The Purple Crayon has resources all over the board, from writing to querying.

Get on the FB and join a writer's group. I have to confess, I find this less useful than targeted writing only forums, but it is still a great resource for finding fellow writers, asking questions, and getting information.

I'll add to this list as I find things - It's been a while since I was querying.
A future post will be devoted to the query process, and my personal experience.

So, to sum it up - the only things you need to become a published writer are a well written book, and a little bit of research. You can do it. It may take some time. It may take a lot of time. I think we all would love a guarantee that all the work and effort will somehow, someday, pay off. Unfortunately, there are no guarantees, no matter what stage of process you are working through. But the good news, the very good news, is that the only thing you really MUST do to be a writer is... write.







Sunday, January 10, 2016

Starting the New Year with - A Book Deal!

So here it is, the reason this blog was created, back when I sent my very first queries into the world. Today it's all official. The word has gone out into the ether where Official Words live, and so now I can share it here, too!

My debut middle grade novel, The Star Thief, is scheduled for publication by Little, Brown, in Spring 2017!






Ben Lewandowski
Deirdre Jones at Little, Brown has acquired debut author Lindsey Becker'sThe Star Thief, a middle grade fantasy adventure in which an orphaned girl is caught in the crossfire of a feud between a master of mythical constellations and the captain of a spectacular flying steamship – and doesn't know whose side to join. Publication is slated for spring 2017; Natalie Lakosil at Bradford Literary Agency negotiated the deal for world rights.


 And if that wasn't awesome enough, the deal was finished by my fabulous agent Natalie Lakosil, while she was in labor with her first baby! That's dedication!

I'm now working with my editor, the brilliant Deirdre Jones, on the process of turning a manuscript into a book.

 More news to follow, of course. For now, it's back to the very glamorous work of revising, more revising, and then a little revision to cap off all the revising.

Cheers to a happy 2016, and a million thanks to everyone who's helped along the way!